Dolly Parton is a gay icon, everyone knows that. I don’t really know why, but she is. You’d be surprised to know how many Parton albums grace the hard disks of many a metrosexual homosexual in London and Paris.
However, nobody has ever thought of slowing down one of her songs by twenty-five per cent to make Dolly sound like a man. And here’s the result of doing exactly that, using her eponymous “Jolene”. Great, isn’t it?